MPSE Golden Reel Awards 2017, vincitori: trionfa Westworld

Annunciati i vincitori del prestigioso riconoscimento che premia l'eccellenza nel montaggio sonoro in ambito televisivo.

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MPSE Golden Reel Awards 2017: sono stati assegnati stanotte al Bonaventure Hotel di Los Angeles i sessantaquattresimi Motion Picture Sound Editors’ Golden Reel Awards, i riconoscimenti che premiano l'eccellenza nel montaggio sonoro in ambito televisivo e cinematografico.

Tra le serie tv trionfa Westworld, che si aggiudica due riconoscimenti, quello per il miglior montaggio sonoro televisivo short form e long form. Bene anche Stranger Things (miglior montaggio della colonna sonora con l'episodio "Chapter Three: Holly Jolly"), Mozart In The Jungle (parimerito con The Get Down), Penny Dreadful (per il montaggio dei dialoghi) e The Night of (Dialoghi Long form).

BEST SOUND & MUSIC EDITING: TELEVISION ANIMATION

Albert
Nickelodeon Animation Studios
Directed By: Max Lang
Produced By: Will McRobb, Chris Viscardi
Macgregor Middleton

VINCITORI
Supervising Sound Editor: Jeff Shiffman MPSE
Dialogue Editors: Michael Petak, Anna Adams
Foley Editor: Tess Fournier
Foley Artist: Craig Ng
Music Editor: Brad Breeck
Sound Effects Editors: Jessey Drake MPSE, Tess Fournier, Jeff Shiffman MPSE

BEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY SHORT FORM


Sonic Sea

Discovery Channel
Directed By: Michelle Dougherty, Daniel Hinerfeld
Produced By: Michelle Dougherty, Daniel Hinerfeld, Franceska Bucci, Lisa Whiteman

VINCITORI
Supervising Sound Editor: Trevor Gates
Dialogue Editor: Ryan Briley
Sound Effects Editors: Ron Aston, Christopher Bonis

BEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY LONG FORM

My Beautiful Broken Brain
My Beautiful Broken Brain Ltd
Directed By: Sophie Robinson, Lotje Sodderland
Produced By: Sophie Robinson, Michael Houldey

VINCITORI
Supervising Sound Editor: Nick Ryan
Dialogue Editor: Claire Ellis
Sound Effects Editor: Tom Foster

BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC SCORE

Stranger Things
“Chapter Three: Holly Jolly”
21 Laps Entertainment
Directed By: Shawn Levy
Produced By: Matt Duffer, Ross Duffer, Shawn Levy, Dan Cohen

VINCITORI
Music Editor: David Klotz

BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC, MUSICAL

PARIMERITO
Mozart In The Jungle
“Now I Will Sing”
Amazon Studios
Directed By: Paul Weitz
Produced By: Susan Coyne, Sean Garrett Fogel, Noelle Valdivia, Michael Zakin

VINCITORI
Music Editor: Jason Tregoe Newman, Bryant J. Fuhrmann

The Get Down
“Raise Your Words, Not Your Voice”
Sony Pictures Television for Netflix
Directed By: Ed Bianchi
Produced By: Baz Luhrmann, Catherine Martin, Paul Watters, Nasir (NAS) Jones

VINCITORI
Music Editor: Jamieson Shaw

BEST SOUND EDITING IN TELEVISION: SHORT FORM – DIALOGUE / ADR

Penny Dreadful III
“Ebb Tide”
Showtime Networks
Directed By: Paco Cabezas
Produced By: John Logan, Sheila Hockin, Pippa Harris, Chris W. King

VINCITORI
Supervising Sound Editor: Jane Tattersall
Supervising Dialogue Editor: David McCallum
Dialogue Editor: Elma Bello
ADR Editor: Dale Sheldrake, Paul Conway

BEST SOUND EDITING IN TELEVISION: SHORT FORM – FX/FOLEY


Westworld

“Trompe L’Oeil”
Bad Robot/Kilter Films
Directed By: Frederick E. O. Toye
Produced By: J.J. Abrams, Jonah Nolan, Lisa Joy, Bryan Burk

VINCITORI
Supervising Sound Editors: Thomas E. de Gorter M.P.S.E., Matthew Sawelson M.P.S.E
Foley Editors: Geordy Sincavage, Michael Head
Foley Artists: Tara Blume, Rick Owens M.P.S.E
Sound Designers: Mark R. Allen M.P.S.E, Marc Glassman M.P.S.E

BEST SOUND EDITING IN TELEVISION: LONG FORM – MUSIC SCORE & MUSICAL

The Rocky Horror Picture Show: Let’s Do The Time Warp Again
Fox 21
Directed By: Kenny Ortega
Produced By: Lou Adler, Gail Berman, John Ryan

VINCITORI
Music Editor: Kevin Bassinson

BEST SOUND EDITING IN TELEVISION: LONG FORM – DIALOGUE/ADR

The Night Of
“Part 1 The Beach”
BBC Drama Productions
Directed By: Steve Zaillian
Produced By: Steve Zaillian, Richard Price, Scott Ferguson, Mark Armstrong

VINCITORI
Supervising Sound Editor: Nicholas Renbeck
Dialogue Editors: Sara Stern, Luciano Vignola, Odin Benitez
ADR Editor: Marissa Littlefield
>BEST SOUND EDITING IN TELEVISION: SHORT FORM – FX

BEST SOUND EDITING IN TELEVISION: LONG FORM – FX/FOLEY

Westworld
“The Bicameral Mind”
Bad Robot/ Kilter Films
Directed By: Jonathan Nolan
Produced By: J.J. Abrams, Jonathan Nolan, Lisa Joy, Bryan Burk

VINCITORI
Supervising Sound Editors: Thomas E. de Gorter M.P.S.E., Matthew Sawelson M.P.S.E
Foley Editors: Geordy Sincavage, Michael Head
Foley Artists: Rick Owen MPSE, Tara Blume
Sound Designers: Mark Allen MPSE, Marc Glassman MPSE

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